Worship Matters

LITURGICAL YEAR: Feast of the Dedication of the Lateran Basilica

This weekend’s feast honors a physical space that has held prominence as the “mother of all Christian churches” throughout the centuries—a space that represents the beginnings of the Catholic Church in Rome, the Basilica of St. John Lateran.

The custom of consecrating or dedicating sacred places is a ritual found in nearly all religious traditions. Setting apart a place for God is an act of recognizing God’s dwelling among us–the One to be honored and glorified.

Over the centuries, the Judeo-Christian tradition has discerned the immaterial divine presence in specific material spaces: the Ark of the Covenant, the Jerusalem temples, the womb of a Galilean girl, the bread and cup, the cross and tomb, the upper room.¹

For Jesus, the Temple was more than a sacred structure—it was the symbolic expression of all that is true, good, and beautiful, the ultimate hope and desire of his people for the presence of God.² It was also a symbol of who he was: God’s holy and living temple made flesh, through whom all are invited into the life of the Eternal.

Saint John Lateran is the pope’s own church—the cathedral of the Diocese of Rome, where the Bishop of Rome presides. The Lateran Basilica holds a place of profound significance: it was the first basilica built after the end of Christian persecution in 313. Rising in the fourth century on land granted by Emperor Constantine, once belonging to the noble Lateran family, it became the heart of Christian Rome. Though scarred by fire, earthquakes, and war, it endured as the church where popes were consecrated.

The present structure was rebuilt under the pontificate of Benedict the XIII and dedicated in 1724 where it stands today as one of Rome’s most majestic churches. It was at that time that the feast celebrated today was established and extended to the universal Church.

This feast reminds us that the Lateran Basilica is more than a sacred building—it is a symbol of the entire Church. It stands as a sign of unity, binding us to our ancient roots and to the See of Rome. We are called to remember that the churches of stone and wood we cherish are but reflections of a deeper mystery: that we ourselves are living temples of God, consecrated in the waters of Baptism and by the Spirit, and sent forth to proclaim the good news of salvation to all the world.

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¹ Reflection on the Feast of the Lateran Basilica in Rome, Alan Hommerding, © 2025, NPM, Washington, DC.

LITURGICAL YEAR: All Souls Day

All Souls Day, the commemoration of the faithful departed, is celebrated on November 2, and intimately connected with the Solemnity of All Saints, celebrated on November 1. When it falls on Sunday, the Mass texts are from All Souls and there are numerous options for the scripture readings which can be taken from the Order of Christian Funerals.

Historically, in the late 900s, Odilo of Cluny established a commemoration on November 2 for all Cluniac (monastic) houses. The custom spread quickly throughout Europe but was not adopted in Rome until the 13th century. It continues to this day.¹

The Solemnity of All Souls naturally follows that of All Saints. Together, these two feasts point to our deep belief in the communion of saints—the holy ones who have gone before us and who now intercede for us before God. We remember in a special way our family members and friends who have died, the lonely and forgotten, and even those public figures whose lives have inspired and shaped our own. It is a time to honor their memory by not only recalling but by living the graces and gifts they embodied during their earthly lives.

The celebration of All Souls invites us also to reflect on our own future and to remember those who have preceded us in death. A time to affirm our faith in the resurrection—not only the lifting up of Christ’s victory over death, but as the promise of our own share in that glory.

Sunday’s commemoration of all the faithful departed celebrates the gifts of eternal life and peace. It gives us sacred space to grieve all that has changed with the loss of a loved one.  Together, we come to rejoice and to weep, to wonder and to remember the Easter promise: that hope does not disappoint, and that we are a resurrection people—honoring those who have gone before us by living that mystery and promise here and now, in this moment, in this time.
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¹Witczak, Michael, The New Dictionary for Sacramental Worship, editor, Peter Fink. @1990, The Liturgical Press. Chicago, Il.

Sacred Space: The Altar

The altar is by far one of the most prominent and central features in our worship space. Typically, it is a free-standing table placed at the center of the sanctuary and serves as the focal point for the celebration of the Eucharist. As a symbol of our Christian faith, the altar has a twofold nature.

As an altar, it is the place of sacrifice, tracing its origins to the altars of the Judaic tradition, where sacrificial offerings were made in the temple. It is here that Christ—the one who offered himself on the Cross for our salvation—becomes present again in the form of bread and wine.

The altar is also a table. Here, the Christian community gathers to share the Body and Blood of Christ, recalling the Passover meal and receiving the sacred nourishment that equips the people of God to go forth as the eyes and hands of Christ in the world.

When the altar of a church is consecrated, the bishop anoints its top with Chrism—the perfumed oil reserved for the sacraments celebrated only once in a lifetime: Baptism, Confirmation, and Holy Orders. The consecration of an altar sets it apart permanently for its sacred purpose. In this anointing, the altar also represents Jesus, whose title “Christ” means “anointed.” The proper gesture of reverence upon entering a church is to bow to the altar, unless the tabernacle is centrally located, in which case one genuflects to the tabernacle.¹

Most altars are crafted from solid materials such as stone, marble, or wood to highlight their beauty and dignity. They are typically rectangular or square and should be large enough to accommodate the vessels and other items used during the Liturgy of the Eucharist. The altar in our chapel, along with the ambo and a small credence table, were crafted by a cooperative in Appalachia and purchased by the Paulist Center in the mid-1970s. In keeping with the Paulist Center’s commitment to social justice, there was a conscious decision to support the work of artisans in an economically challenged region.

^1. Paul Turner, The Parish Church and Its Furnishings (Chicago: Liturgy Training Publications, 2020),
© Archdiocese of Chicago.

Sacred Space: The Ambo

Along with the altar, the ambo is one of the most essential and sacred liturgical elements in every Catholic church. At the beginning of each weekend liturgy here at the Center, we speak of gathering around both the table of the Word and the table of the Eucharist—to be nourished and transformed for the life of the world. Theologically, the ambo and the altar both represent the presence of Christ: Christ who speaks in the Word proclaimed, and Christ who is taken, blessed, broken, and shared in the Eucharist.

The word ambo, akin to lectern or pulpit, comes from the Greek ambōn, meaning “step” or “elevation.” Its roots are believed to lie in the raised platforms from which Jewish rabbis proclaimed the Scriptures. The ambo first appeared in churches during the fourth century and, over time, was often beautifully crafted from precious woods or marble.

For centuries before the liturgical reforms, the priest proclaimed the Scriptures at the altar itself—on what were known as the “Epistle side” and the “Gospel side.” Today, the Word of God has its own dedicated place: the ambo.

The ambo’s primary purpose is to be the place from which the Scriptures are proclaimed. We begin our eucharistic celebration with the Liturgy of the Word, our attention drawn to this “altar” of the Word—where readings from the Old and New Testaments, the Responsorial Psalm, and the Gospel are proclaimed. From this place, too, resound the Homily, the Universal Prayer (Prayer of the Faithful), and once each year, the great Easter Proclamation, the Exsultet.

The ambo is intended to look special and given a fixed place in the sanctuary. Its location should be near the main altar and visually accessible to all. The ambo in our chapel is distinctive: it is crafted from the same wood and designed in the same style as the altar. Like the altar, it is adorned with a lit candle during the liturgy—an intentional sign of its deep connection to that sacred table where we encounter the living Christ, present in both Word and Sacrament.

Sacred Space: Why No Kneelers?

For those who have worshiped at the Paulist Center for years, the absence of kneelers often goes unnoticed; for those new to the space, it can be a surprise and a source of curiosity. This feature of our chapel sets it apart from most Roman Catholic churches.

In the early Church, standing was the common posture for prayer—a sign of respect, unity, and Easter joy. The Council of Nicaea (325) even prescribed that prayers on Sundays and during the Easter season be offered standing. Kneeling, by contrast, symbolized penitence, humility, and private prayer and was generally reserved for Lent or other penitential times. Over time, however, kneeling became the norm throughout much of the Mass.

Following the Second Vatican Council, the 1969 General Instruction on the Roman Missal (GIRM) emphasized posture as a communal sign of unity and restored the ancient custom of standing during most of the liturgy, especially for the Eucharistic Prayer. While many countries adopted this norm, the U.S. Bishops retained the custom of kneeling from the Sanctus through the conclusion of the Eucharistic Prayer. This adaptation was reaffirmed in 2000, though the GIRM notes that the universal practice of the Church is to stand throughout the Eucharistic Prayer, kneeling only at the consecration.

When the chapel was renovated in the mid-1970s, and again in 2000, the Center followed the local tradition of standing and chose not to reinstall kneelers. This decision reflected the early Church’s practice of standing as a sign of unity, joy, and thanksgiving.

With the most recent renovation, however, the Paulist Center did not intend to eliminate kneeling altogether. Several chairs in the chapel are now fitted with kneelers for those who wish to kneel in private prayer or adoration before the Blessed Sacrament.

Our posture in worship matters because our bodies express the attitude of our hearts. Just as body language reveals our disposition toward another, our posture in prayer expresses our spirit before God and one another. During the Eucharistic Prayer especially, standing together—physically or in spirit for those who due to physical or other limitations are not able — embodies our unity, our thanksgiving, and our participation in the Paschal Mystery.

Sacred Space: The Cross and Corpus

Upon entering most Catholic churches, one of the most distinctive elements is the cross, typically suspended in the sanctuary or affixed to the back wall. When the altar was brought forward in the 1960s, some churches chose to forego a permanent cross in the sanctuary, instead using a processional cross placed in a location that would not obstruct the altar. Whether suspended above the sanctuary or carried in procession, the cross remains the central symbol of our Christian faith, the sign with which we begin every liturgy.

During our chapel’s renovation over twenty years ago, the community, after much prayer and discernment, commissioned two artists to create not simply a cross with a crucified corpus, but a multi-faceted work of art reflecting the fullness of the Paschal Mystery.

Inspired by Luke’s account of the Passion, our sanctuary artwork was installed in January 2004. The piece incorporates three images: the Cross, the Crucified Christ, and the Holy Spirit. Randy Dixon, an architect and artist from the Berkeley area, created the Cross and Spirit images, and Chris Scala, an artist from Orlando, sculpted the figure of Christ. Lighting was also carefully designed as an essential element of the installation.

The power of this piece lies in its many dimensions, drawing us into the fullness of Christ’s life, passion, death, and resurrection. From the broken Cross—split in two—the Body rises, the Spirit lifting us upward. It evokes movement, spaciousness, tenderness, and transcendence. The posture of Jesus, with arms outstretched, profoundly recalling the words from Luke’s Gospel: “Father, into your hands I commend my spirit.” (Luke 23:46)

For more detailed information about the various elements and construction of the Cross and Corpus, please visit www.paulistcenter.org/our-chapel.

Sacred Space: The Tabernacle

Among all the liturgical appointments found in our churches, the history, meaning, and purpose of the tabernacle remains one of the most misunderstood.

The word tabernacle comes from the Latin tabernaculum, meaning “tent” or “hut.” It holds two related meanings: a place of temporary dwelling, and a place where God resides.

In the early Church, Christians cherished the Eucharist so deeply that they began reserving a portion of it for those too ill to gather with the community. A representative would bring the consecrated host to the sick—a tradition we continue today through our Eucharistic ministers.

Over time, the tabernacle came to serve several important purposes. First, it was a storehouse for the Eucharist to be brought to the sick. As its significance deepened, it became a focal point of devotion and private prayer. Eventually, it also took on the practical role of holding reserved hosts for Mass, in case more was needed during the distribution of Communion.

The placement of the tabernacle has also shifted over time. Before Vatican II, it was typically located at the center of the high altar. With the Council’s reforms—especially the priest facing the people—the altar was moved forward, and the tabernacle was either left on the old high altar or placed on a smaller side altar.

In many modern churches, the tabernacle is placed in a dedicated Blessed Sacrament Chapel near the main worship space. This allows the reserved Eucharist to be housed in a separate chapel or alcove, while remaining accessible for its original and primary purpose: distribution to the sick and homebound.

In our chapel, the tabernacle is recessed into the wall of the alcove in the front right corner of the chapel. Like our altar, it is carved from mahogany. This symbolic link highlights the connection of our liturgical action with adoration and communion to the sick and homebound. Designed and hand-carved by Fr. Frank Sabatté, CSP, this simple yet beautiful tabernacle reminds us, just as we are reminded each time the community gathers around of the table of the Word and table of the Eucharist, that Christ is always present among and within us.

For more detailed information about the design of our tabernacle, please visit:
www.paulistcenter.org/our-chapel

Sacred Space: The Baptismal Font

“You have put on Christ; in him you have been baptized.” These words of the apostle Paul are proclaimed at every baptism celebrated here at the Paulist Center. They express the core Christian belief that through the sacrament of baptism we not only become members of the Christian community, but also a new creation in Christ, baptized into his life, death, and resurrection.

Water is both destructive and life-giving. It can overwhelm and destroy, yet it also sustains, cleanses, and refreshes. From the earliest days of the Church, baptism by immersion in water stood as the central ritual of Christian initiation, making water itself one of the most powerful symbols of our sacramental life.

Through the centuries, the baptismal font took on many shapes and forms. After the Edict of Milan legalized Christianity in the early fourth century, baptistries were often built beside churches, underscoring baptism as the gateway into Christian life. Fonts were commonly:

• Octagonal (eight-sided): symbolizing the “eighth day,” a sign of resurrection and new creation.
• Circular: representing eternity and perfection.
• Cruciform (cross-shaped): signifying one’s participation in the life, death, and resurrection of Christ.

Fonts were typically made of stone or marble, often large enough for full immersion, which was the standard practice in the early Church. Many were placed below floor level to emphasize descent into a kind of tomb, symbolizing death and resurrection, and were frequently enhanced with steps, columns, or mosaics.

As part of  the renovation of our chapel in 2000, careful research and discernment guided the design and placement of our baptismal font. While many churches throughout the centuries—even in the decades following Vatican II—have smaller, freestanding fonts intended only for the pouring of water over one’s head, our community sought to recover the fuller symbolism of immersion. Our eight-sided marble font,  affixed to the chapel floor, with a water depth of about two feet, was conceived to allow for baptism by immersion in keeping with the tradition of the early Christian Church.

Its placement is distinctive. Due to the unique and somewhat limited floor plan of our chapel, the decision was made to locate the font directly behind the altar, beneath the Cross and Corpus. Although this differs from the more common placement near the entrance, it ensures that the font is visible and accessible to the entire assembly during baptismal liturgies, highlighting baptism as a central act of our shared faith.

At the Paulist Center, we believe our liturgies are at their most vibrant and authentic when the community not only knows what we do in worship but also understands how and why we do it. Rooted in the vision of the Second Vatican Council, vibrant and prayerful liturgy lies at the very heart of our mission.

To foster deeper understanding and engagement in our liturgy, a subcommittee of the Worship Committee in collaboration with the Pastoral Minister of Liturgy and Music has created a weekly catechetical reflection series titled Worship Matters, which will cover a wide range of topics related to our liturgical tradition and practice. These reflections are intended to open windows into the deeper meaning of our worship, helping us to shine a light on the beauty and wisdom woven into our prayer.

When we grasp the “why” behind our signs and symbols, our prayers and gestures, our traditions and rituals, we are enabled to enter more fully into the mystery we celebrate. In this way, liturgy becomes not just something we attend, but something that shapes us, sustains us, and calls us to live the Gospel with greater joy.

It is our hope that this resource will serve both newcomers and longtime members of our community, drawing us all into a richer, more wholehearted participation in the sacred liturgy we share.

In the coming weeks, we will turn our attention to the topic of Sacred Space, reflecting on the structures and elements that shape our worship environment. Together, we will explore their meaning and significance and consider how these elements find unique expression in our own Chapel of the Holy Spirit.